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Captain Marvel

2019  124 MN


 5.0



Captain Marvel on IMDb
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Ryan Fleck
  Director
Anna Boden
  Director




The story follows Carol Danvers as she becomes one of the universe’s most powerful heroes when Earth is caught in the middle of a galactic war between two alien races. Set in the 1990s, Captain Marvel is an all-new adventure from a previously unseen period in the history of the Marvel Cinematic Universe.

 Release Date

March 6, 2019

 Runtime

2h4m (124 min)

 Budget

$ 152,000,000

 Revenue

$ 1,131,416,446


 Top Billed Cast

 Brie Larson
 Carol Danvers / Vers / Captain Marvel
 Samuel L. Jackson
 Nick Fury
 Ben Mendelsohn
 Talos / Keller
 Jude Law
 Yon-Rogg
 Annette Bening
 Supreme Intelligence / Dr. Wendy Lawson
 Djimon Hounsou
 Korath


 Written by

Geneva Robertson-Dworet Screenplay
Ryan Fleck Screenplay
Anna Boden Screenplay
Nicole Perlman Story
Ryan Fleck Story
Geneva Robertson-Dworet Story
Anna Boden Story
Meg LeFauve Story
Jack Kirby Characters
Joe Simon Characters

 Tagline

Higher. Further. Faster.

 Videos


Next Videos >

 Cast

Brie Larson
  Carol Danvers / Vers / Captain Marvel
Samuel L. Jackson
  Nick Fury
Ben Mendelsohn
  Talos / Keller
Jude Law
  Yon-Rogg
Annette Bening
  Supreme Intelligence / Dr. Wendy Lawson
Djimon Hounsou
  Korath
Lee Pace
  Ronan the Accuser
Lashana Lynch
  Maria Rambeau
Gemma Chan
  Minn-Erva
Clark Gregg
  Agent Phil Coulson
Rune Temte
  Bron-Charr
Algenis Perez Soto
  Att-Lass
Mckenna Grace
  Young Carol (13 Years Old)
Akira Akbar
  Monica Rambeau (11 Years Old)
Matthew Maher
  Norex
Chuku Modu
  Soh-Larr
Vik Sahay
  Hero Torfan
Colin Ford
  Steve Danvers
Kenneth Mitchell
  Joseph Danvers
Stephen A. Chang
  Cadet Officer
Pete Ploszek
  Bret Johnson
London Fuller
  Young Carol (6 Years Old)
Azari Akbar
  Monica Rambeau (5 Years Old)
Mark Daugherty
  Skrull Main Tech
Diana Toshiko
  Skrull Tech #1
Barry Curtis
  Mall Security Guard
Abigaille Ozrey
  Surfer Girl Talos #2
Marilyn Brett
  Older Lady on Train
Stan Lee
  Stan Lee
Robert Kazinsky
  Biker (The Don)
Nelson Franklin
  Medical Examiner
Patrick Brennan
  Bartender
Patrick Gallagher
  Security Chief
Ana Ayora
  Agent Whitcher
Lyonetta Flowers
  Monica's Grandmother
Rufus Flowers
  Monica's Grandfather
Sharon Blynn
  Soren
Auden L. Ophuls
  Talos' Daughter
Harriet L. Ophuls
  Talos' Daughter
Matthew Bellows
  Accuser #1
Richard Zeringue
  Tom the Neighbor
Duane Henry
  Talos-Kree Soldier
Chris Evans
  Steve Rogers / Captain America (uncredited)
Scarlett Johansson
  Natasha Romanoff / Black Widow (uncredited)
Don Cheadle
  James 'Rhodey' Rhodes / War Machine (uncredited)
Mark Ruffalo
  Bruce Banner / The Hulk (uncredited)
Vinny O'Brien
  Skrull Spy 2 (uncredited)
Anthony Molinari
  S.H.I.E.L.D. Agent (uncredited)

 Crew


Kevin Feige
  Producer
Victoria Alonso
  Executive Producer
Ryan Fleck
  Director
Christopher Townsend
  Visual Effects Supervisor
Geneva Robertson-Dworet
  Screenplay
Stan Lee
  Executive Producer
Jonathan Schwartz
  Executive Producer
Louis D'Esposito
  Executive Producer
Ben Davis
  Director of Photography
Pinar Toprak
  Original Music Composer
Ryan Fleck
  Screenplay
Mary Livanos
  Associate Producer
Elliot Graham
  Editor
Lars P. Winther
  Co-Producer
Debbie Berman
  Editor
Sanja Milković Hays
  Costume Design
Anna Boden
  Director
Anna Boden
  Screenplay
Nicole Perlman
  Story
Lars P. Winther
  First Assistant Director
Andy Nicholson
  Production Design
Susan McNamara
  Unit Production Manager
Ryan Fleck
  Story
Sarah Halley Finn
  Casting
David J. Grant
  Co-Producer
Geneva Robertson-Dworet
  Story
Damien Carr
  Visual Effects Producer
Anna Boden
  Story
Patricia Whitcher
  Executive Producer
Jeff Habberstad
  Second Unit Director
Meg LeFauve
  Story
Dave Jordan
  Music Supervisor
James M. Churchman
  Stunt Coordinator
Stan Lee
  Thanks
Igor Meglic
  Second Unit Director of Photography
Christopher Boyes
  Sound Designer
Christopher Boyes
  Supervising Sound Editor
Katy Galow
  Second Assistant Director
Heba Thorisdottir
  Makeup Department Head
Andrew Campbell
  Graphic Designer
Pud Cusack
  Sound Mixer
Gwendolyn Yates Whittle
  Supervising Sound Editor
Camille Friend
  Hair Department Head
Lauri Gaffin
  Set Decoration
Elena Albanese
  Art Direction
Lauren E. Polizzi
  Art Direction
Andrea Carter
  Art Department Coordinator
Stephanie Higgins Frey
  Art Department Coordinator
Kasra Farahani
  Art Direction
Jason T. Clark
  Art Direction
Jordan Ferrer
  Art Direction
Andrew Max Cahn
  Supervising Art Director
Pauletta O. Lewis
  Key Hair Stylist
Sean Kenney
  Contact Lens Technician
Cristina Patterson
  Contact Lens Painter
Karen Bartek
  Key Hair Stylist
Janine Rath-Thompson
  Hair Department Head
Jaime Leigh McIntosh
  Hair Department Head
Kevin Carter
  Contact Lens Painter
Paddy Cullen
  Production Manager
Travis Huffman
  Construction Foreman
Kerry Lyn McKissick
  Script Supervisor
Anthony Carlino
  Leadman
Andrew Petrotta
  Property Master
Natasha Ladek
  Wigmaker
Erin E. Riegel
  Assistant Art Director
Anthony Syracuse
  Construction Coordinator
Malanie J. Romero
  Key Makeup Artist
Michael Gowen
  Assistant Art Director
Andy Park
  Visual Development
Michael Kelem
  Aerial Director of Photography
Dana Arnold
  Rigging Gaffer
Sebastien Jutras
  Ager/Dyer
Mairi Chisholm
  Assistant Costume Designer
Cookie Lopez
  Costumer
John M. 'Jack' Wright
  Key Costumer
John Lacy
  Best Boy Electric
Geoffrey Haley
  Camera Operator
Pamela Waggoner
  Key Costumer
Jessica Pazdernik
  Key Set Costumer
David B. Nowell
  Aerial Director of Photography
Linda Matthews
  Costume Supervisor
Matt Kennedy
  Still Photographer
Michael St. Hilaire
  Camera Operator
Askia Won-Ling Jacob
  Costumer
Onofrio Nino Pansini
  Camera Operator
Jason C. Fitzgerald
  Rigging Gaffer
Katy Johnson
  Ager/Dyer
Irena Stepić
  Assistant Costume Designer
Wendy M. Craig
  Costume Supervisor
Jerardo Gomez
  Electrician
Sean Ricigliano
  Epk Camera Operator
Ian Churchill
  Ager/Dyer
Tricia Yoo
  Costumer
Morten Petersen
  Best Boy Electric
Christopher Duskin
  Camera Operator
Richard Landry
  Electrician
Jayden York
  Libra Head Technician
Jimmy Jay
  Key Costumer
Mustapha Mimis
  Key Set Costumer
Ross Dunkerley
  Gaffer
Sarah Levy
  Camera Operator
Ian Clampett
  Camera Operator
Michelle Lee
  Stunt Double
David Acord
  Sound Designer
Lora Hirschberg
  Sound Re-Recording Mixer
Gary Rydstrom
  Sound Designer
Bonnie Wild
  Sound Re-Recording Mixer
Joanna Bennett
  Stunt Double
Hank Amos
  Stunt Coordinator
Charles Ingram
  Stunt Double
Hannah Betts
  Stunt Double
Louisa V. Anthony
  Hairstylist
Laurel Kelly
  Hairstylist
Jason Collins
  Makeup Artist
Alexandria Storm
  Makeup Artist
Alexei Dmitriew
  Makeup Artist
Jennifer Zide
  Makeup Artist
R.J. McCasland
  Makeup Artist
Suzanne Diaz
  Makeup Artist
Thomas Floutz
  Makeup Artist
Jake Garber
  Makeup Artist
Bruce Spaulding Fuller
  Prosthetic Makeup Artist
Erica Akin
  Special Effects Makeup Artist
Cary Ayers
  Special Effects Makeup Artist
Carlton Coleman
  Special Effects Makeup Artist
Cassie Russek
  Special Effects Makeup Artist
Danny Wagner
  Special Effects Makeup Artist
Samantha Ward
  Special Effects Makeup Artist
Rob Phillips
  Ager/Dyer
Craig Anthony
  Costumer
Siobhan Claridy
  Costumer
Jimmy Kenney
  Costumer
Tiffany Barry
  Set Costumer
Steven Butler
  Set Costumer
Charlie Dicus
  Set Costumer
Bob Moore Jr.
  Set Costumer
Lily Scott
  Set Costumer
Danny Vick
  Set Costumer
Jody Felz
  Set Costumer
Jared Slater
  Aerial Camera Technician
Chad Herr
  Best Boy Grip
Jeremy Brussell
  Best Boy Grip
Jordan Harriman
  Digital Imaging Technician
Jim Leidholdt
  Dolly Grip
James D. Wickman
  Dolly Grip
Bill Coe
  First Assistant "A" Camera
Chuck Whelan
  First Assistant "C" Camera
Robert M. Sagaser
  First Assistant Camera
Michael Ambrose
  Gaffer
Michael Anderson
  Key Grip
Peter Chrimes
  Key Grip
Buzzy Burwell
  Lighting Technician
Thomas M. Dangcil
  Lighting Technician
Thomas McCarty
  Lighting Technician
Brian Minzlaff
  Lighting Technician
Scott Medcalf
  Lighting Technician
Christopher Pritzlaff
  Lighting Technician
Ryan Chamberlain
  Rigging Grip
Darin Devonshire
  Rigging Grip
Gary J. Dodd
  Rigging Grip
William Kent
  Rigging Grip
King Lanaux
  Rigging Grip
Robert J. Reilly
  Rigging Grip
Charles Smith
  Rigging Grip
Dan Wyssmann
  Rigging Grip
Max Patrucco
  Rigging Grip
Daniel Wurschl
  Second Assistant Camera
Eric Amundsen
  Second Assistant Camera
Bogdan Iofciulescu
  Techno Crane Operator
Alfred Ainsworth
  Video Assist Operator
Emir Isilay
  Music Arranger
Tim Jones
  Music Arranger
Shannon Murphy
  Music Coordinator
Trygge Toven
  Music Coordinator
Joseph Bonn
  Music Editor
Amanda Goodpaster
  Music Editor
Tom Kramer
  Music Editor
Doc Kane
  ADR Mixer
Jeanette Browning
  ADR Recordist
Cameron Barker
  Assistant Sound Editor
Richard Bullock Jr.
  Boom Operator
Jonathan Fuh
  Boom Operator
Brad Semenoff
  Dialogue Editor
James Spencer
  Dialogue Editor
James Wright
  Dolby Consultant
Geoff Vaughan
  Foley Artist
Jana Vance
  Foley Artist
Ronni Brown
  Foley Artist
Shaun Farley
  Foley Editor
Blake Collins
  Foley Mixer
Qianbaihui Yang
  Foley Supervisor
Teresa Eckton
  Sound Effects Editor
J.R. Grubbs
  Sound Effects Editor
Kimberly Patrick
  Sound Effects Editor
Dee Selby
  Sound Effects Editor
Kevin Culligan
  Utility Sound
Rahma Farahat
  Art Department Assistant
Bradley Good
  Assistant Property Master
David Christopher Campbell
  Construction Buyer
Duncan Crawford
  Sculptor
J. Bryan Holloway
  Sculptor
Cuitlahuac Morales Velazquez
  Sculptor
Claire Fredrickson
  Assistant Set Decoration
Jill Broadfoot
  Set Decoration Buyer
Sara Gardner-Gail
  Set Decoration Buyer
Samuel J. Tell
  Set Decoration Buyer
Ernie Avila
  Set Designer
Tim Croshaw
  Set Designer
Kevin Cross
  Set Designer
Patrick Dunn-Baker
  Set Designer
Scott Herbertson
  Set Designer
Tammy S. Lee
  Set Designer
David Moreau
  Set Designer
Julien Pougnier
  Set Designer
Shamim Seifzadeh
  Set Designer
Mike Stassi
  Set Designer
Sean Ginevan
  Set Dresser
Robert Gray
  Set Dresser
Sam Hensen
  Set Dresser
David Ladish
  Set Dresser
David Napoli
  Set Dresser
Mike Sunga
  Set Dresser
Andrew P. Flores
  Standby Painter
Bryan Andrews
  Storyboard Artist
Darrin Denlinger
  Storyboard Artist
Anthony Liberatore
  Storyboard Artist
Federico D'Alessandro
  Storyboard Artist
Emily A. Neumann
  Second Second Assistant Director
Erin Stern
  Second Second Assistant Director
Jim O'Hagan
  2D Supervisor
Sebastian Schmall
  3D Generalist
Adrian Millington
  Animation Supervisor
Eric Petey
  Animation Supervisor
Simone Kraus Townsend
  Animation Supervisor
Liz Bernard
  Animation Supervisor
Bernd Angerer
  Animation Director
Cristiano Cesolari
  CG Artist
Alexander Hartwin
  CG Artist
Matthias Winkler
  CG Artist
David Michaels
  CG Supervisor
Daisuke Nagae
  CG Supervisor
Celia Jepson
  CG Supervisor
Andrew Zink
  CG Supervisor
Tonio Freitag
  CG Supervisor
Alexander Schumann
  CG Supervisor
Noah Vice
  CG Supervisor
Ryan B. Clarke
  Compositing Supervisor
Romain Rico
  Compositing Supervisor
Bryan Smeall
  Compositing Supervisor
Edson Williams
  Compositing Supervisor
Benjamin Burr
  Compositing Supervisor
Guido Wolter
  Compositing Supervisor
Micah Gallagher
  Compositing Supervisor
Robert Jackson
  Compositing Supervisor
Mortimer Warlimont
  Compositing Supervisor
Alexey Kuchinsky
  Compositing Supervisor
Gem Ronn Cadiz
  Creature Technical Director
Avijit Das
  Creature Technical Director
Hanzhi Tang
  Digital Effects Supervisor
Steve Nichols
  Head of Animation
Gregory Bossert
  Layout Supervisor
Ngan Chung
  Lead Animator
Bill Bridges
  Lead Animator
Mathieu Dimuro
  Lead Animator
Simon Pickard
  Lead Animator
Alfonso Sicilia
  Lead Animator
Shawn McCarten
  VFX Lighting Artist
Miguel Lleras Villaveces
  VFX Lighting Artist
Sarah Neveu
  Matte Painter
Sun Lee
  Matte Painter
Jaeil Seo
  Matte Painter
Rose Wang
  Matte Painter
Chris Radcliffe
  Modelling Supervisor
Nicholas Hampshire
  Pipeline Technical Director
Nathan Rusch
  Pipeline Technical Director
Stewart Alves
  Senior Animator
Jeff Vacanti
  Senior Animator
John Saleem
  Senior Modeller
Andy Yamada
  Stereoscopic Coordinator
Tony Bacigalupi
  VFX Editor
Luke Botteron
  VFX Editor
Alex Holcombe
  VFX Editor
Lei Zhang
  VFX Editor
Jan Reichmann
  VFX Editor
Jaclyn Abrahante
  Visual Effects Coordinator
Sara Bold
  Visual Effects Coordinator
Sarah Cave
  Visual Effects Coordinator
Lane Howard
  Visual Effects Coordinator
Chelsea Mirus
  Visual Effects Coordinator
Lucas John Ng
  Visual Effects Coordinator
Anne-Marie Ouellet
  Visual Effects Coordinator
Katrissa 'Kat' Peterson
  Visual Effects Coordinator
Harrison Goldstein
  Visual Effects Coordinator
Cole Darby
  Visual Effects Coordinator
Eva Mularonek
  Visual Effects Coordinator
Robert Drwila
  Visual Effects Editor
Liana Jackson
  Visual Effects Editor
Kosta Saric
  Visual Effects Editor
John Polyson
  Visual Effects Editor
Ilona Blyth
  Visual Effects Producer
Praveen Kilaru
  Visual Effects Producer
Monique Pollaehne
  Visual Effects Producer
Jason Bath
  Visual Effects Producer
Grace Hendley
  Visual Effects Producer
Carlos Ciudad
  Visual Effects Producer
Sophie Carroll
  Visual Effects Producer
Massimo Meo
  Visual Effects Producer
Erin D. O'Connor
  Visual Effects Producer
Lee Briggs
  Visual Effects Producer
Mare McIntosh
  Visual Effects Producer
Paul Driver
  Visual Effects Producer
Michael Perdew
  Visual Effects Producer
Julien Cimino
  Visual Effects Producer
Ryan Flick
  Visual Effects Producer
Andrew Eick
  Visual Effects Producer
Christine Neumann
  Visual Effects Producer
Katie Stetson
  Visual Effects Production Manager
Beverly Abbott
  Visual Effects Production Manager
Kenneth Coyne
  Visual Effects Production Manager
Nicholas Murphy
  Visual Effects Production Manager
Paul Butterworth
  Visual Effects Supervisor
Vinod Gundre
  Visual Effects Supervisor
Josh Dagg
  Visual Effects Supervisor
Christian Kaestner
  Visual Effects Supervisor
Craig Hammack
  Visual Effects Supervisor
Trent Claus
  Visual Effects Supervisor
Brendan Seals
  Visual Effects Supervisor
Kevin Souls
  Visual Effects Supervisor
Oliver Schulz
  Visual Effects Supervisor
Malte Sarnes
  Visual Effects Supervisor
Ed Bruce
  Visual Effects Supervisor
Dominik Zimmerle
  Visual Effects Supervisor
Daniel Sudick
  Special Effects Supervisor
Carlos Flores Tavitas
  Visual Effects Coordinator
Juliette Lemaire
  Visual Effects Coordinator
Errol Stussi
  Visual Effects Coordinator
Kevin Bowers
  Special Effects Technician
Roy K. Cancino
  Special Effects Technician
Allison Gainza
  Special Effects Technician
Morgan Guynes
  Special Effects Technician
Darin O'Neill
  Special Effects Technician
Michael A. Tice
  Special Effects Technician
Kenneth Van Order
  Special Effects Technician
Barbara Harris
  ADR Voice Casting
Molly Doyle
  Casting Assistant
Jason B. Stamey
  Casting Associate
Brad Bittner
  Extras Casting
Sandra Marthon
  Extras Casting
Jess Jansen
  Assistant Editor
Tom Scott
  Assistant Editor
Kimberly Boritz
  First Assistant Editor
Wayan Blue Palmieri
  Stereoscopic Editor
Bonnie Marquette
  Location Manager
Samantha C. Kirkeby
  Script Supervisor
Jeff Winn
  Craft Service
Ian Crockett
  First Assistant Accountant
Kevin LaRosa Jr.
  Pilot
David Hickey
  Payroll Accountant
Katy Tatian-Genovese
  Payroll Accountant
Amy Denning Winfrey
  Payroll Accountant
Ross Jensen
  Production Controller
Jordan Gilbert
  Production Coordinator
Laura Galinson
  Studio Teacher
Thomas O'Flaherty
  Studio Teacher
Stacy Parker
  Travel Coordinator
John M. Pisani
  Unit Publicist
Geno Hart
  Transportation Coordinator
Michael Connor
  Transportation Captain
Angel DeSanti
  Transportation Co-Captain
Mark Maymo
  Transportation Co-Captain
Adam Pinkstaff
  Transportation Captain
Wayne Roberts
  Transportation Co-Captain
Don J. Hug
  Production Supervisor
Beth Mickle
  Art Direction
Jack Kirby
  Thanks
Joe Simon
  Thanks
Gene Colan
  Thanks
Roy Thomas
  Thanks
Timothy Eulich
  Stunts
Heidi Moneymaker
  Stunt Double
Karin Silvestri
  Stunts
Doug Delaney
  Senior Colorist
Jeffrey G. Barnett
  Stunts
Chris Palermo
  Stunt Driver
Keith Woulard
  Stunts
Mallory Thompson
  Stunts
Natalie Padilla
  Stunts
Renae Moneymaker
  Stunt Double
Jennifer Elizabeth
  Stunts
Clay Cullen
  Stunt Driver
Zack Duhame
  Stunts
Joe Bucaro III
  Stunt Double
Steve Kelso
  Stunt Driver
Tim Rigby
  Stunts
Tamiko Brownlee
  Stunts
Jack Kirby
  Characters
Joe Simon
  Characters


 Quotes

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 Reviews


 New Review

Very... average
By Gruic on March 11, 2019
 4

This movie has a lot of trouble to find an identity. Captain Marvel is not a very good science fiction movie, not a very good funny movie, not a very good drama movie...

The story is awkward, the directing does not have relief.

I am not convinced.

That said, I don't think that Brie Larson is the problem here, and I'm very happy to have more Clark Gregg on the MCU.


Preparing for the Endgame
By Carry9 on May 8, 2019
 6

I thought that I had to see this movie for the last chapter of the Avengers series.
It helped in some way (and it was the last movie of the Marvel Series that I had not yet seen), but I think that you could also go and see Avengers: Endgame without having seen it.
I liked the fact, that the hero is a women. The construction of the story was well done, as you would not have guessed some of the things that happened in the second half of the movie from the start.


jj@LA

I would not pay to see it. I did see it for free already...so at least, I was not cheated of my money ["I laughed, I cried, I kissed $10 good-bye!"--most other movies]. I saw sneak preview a few months back and it was the full-length feature but it was missing music in the end credit section and may have some added additional editing since then. What I did see, it was on par with Thor: Dark World in quality and has higher wokeness than Han Solo and Star War: Last Jedi. Probably worst Marvel movie since the start of this universe started with the great Iron Man...only thing that could have been worse if Inhuman movie was made. So hold on to your money and maybe watch this at 2nd run theater ($1.75 each...maybe $3 at most) or online free...so you know how this added character will lessen the Avenger's End Game plot. The CGI special effects are just okay but the simpleton story, underwhelming acting and almost-no character development are at the expense to make this the tops of any recent movies with its wokeness and identity politics…And Brie Larson character is just boring with no depth…just like Disney did to current Star Wars movies' female lead. DEFINITELY do NOT spend the money to see it on IMAX or any other expensive premium screenings or waiting in line on opening weekend. Maybe newer version (a few years back) Ghostbust(-h)ers was slightly better...which is not saying much. Already seeing highly rated tweets from critics, I am sure these are the same movie critics that gave great ratings to last years movies, "The Favourite" and "Sorry to Bother You". Yeah, Don't see this either!


kidchaos313

Went in not paying attention to any of the drama surrounding the movie. The movie was just like the trailers, boring. Terrible fight choreography and all in acting by Brie. Cinematography was so bad, way too many cuts. Samuel L Jackson and Goose were brilliant and Mendelsohn was incredible as Talos.
The movie relied too much in 90s nostalgia.
Not great when the main actor is out done by a cat.


Manuel São Bento

If you enjoy reading my Spoiler-Free reviews, please follow my blog :)

As a fair and impartial film critic, I need to state this: I don't care about the controversy surrounding Brie Larson or the agendas this movie is trying to push or not. I'm not part of any hate group or factions that hate those hate groups. I just want to watch a good superhero origin film, that introduces me to a new character that I'm supposed to care about and root for. Read my review, sure, but make up your own mind. Go see the movie and be honest. Since that's out of the way, let's keep going ...

It was always going to be a huge risk trying to introduce such an important and powerful character like Carol Danvers into the end of Phase Three. Not only she comes from nowhere (as far as I remember, she was barely mentioned in previous films or even not mentioned at all before Infinity War), but it's the last movie before the climactic, era-ending Avengers: Endgame. She is the one who is going to take our heroes to victory against Thanos, the bad guy who I dare say easily defeated on his own pretty much every superhero we knew until that moment. So, while I was not expecting an outstanding story packed with phenomenal action, I was also hoping for more than just a simple origin film like it came from Phase One.

Unfortunately, that's exactly what I got. Everything is fine. Just okay. There's no exceptional fight scene, but most of it is decent. There's no visual wonder, but it doesn't look bad. The characters' potential feels wasted, but they work for the plot. Everything is frustratingly balanced, which is something I would praise in a bunch of other movies, but this isn't 2008 anymore. Marvel isn't starting its cinematic universe, it is almost finishing a whole arc involving more than 20 installments! I'm going straight to the one character everyone wants to talk about: Goose ... Sorry, Captain Marvel! Jokes aside, this is one of the issues I was worried about going into the film theater. I escaped 99% of the marketing for this movie as I do with every other flick. I didn't watch a single clip/trailer, I know as much about the controversy surrounding this installment as my dog and I kept my expectations realistic having in mind what I truly know about the film and only the film itself. The one thing I was not able to hide from were the headlines giving tremendous praise to ... a cat.

Now, follow me on this: I'm going to watch a superhero origin movie. A whole new character is waiting for me at the big screen. I'm excited to know more about her, where does she come from, what her powers are and so much more. Some headlines show up on my social media feed, and I find that a CAT "steals the show," "deserves a spin-off," and I don't even know what more. Granted, the cat is indeed funny. It provides some chuckles here and there. That's it. I love cats, but I honestly can't figure out why everyone is so amazed by an animal doing animal things. Maybe it's because the rest of the film isn't that entertaining ... or perhaps just because people really, really love cats. Like the movie itself, I think it's a mixture of both options.

Back to what matters and to who everyone should be talking about: Brie Larson. Marvel rarely misses its casting choices, and being Larson an Academy-Award winner, her talent is undeniable. She has everything she needs to consistently deliver a strong performance, so I'm surprised that she couldn't stand out from the film's overall blandness. I repeat, the movie isn't bad, at all. However, I was expecting an actress of Brie Larson's caliber to elevate, at least, her own character, but she's like everyone else: just good enough. I don't know if her performance was limited by bad direction or by her own decisions, but the potential is there, and I'm sure the Russo brothers will give her a much more thrilling arc in Endgame.

The two best attributes of the entire film are, without a single doubt, the buddy-cop relationship that Carol and Nick Fury (Samuel L. Jackson) develop, and the groundbreaking de-aging CGI. Story-wise, the interactions between these two characters are so captivating and humorous that the pacing issues of the first act gradually start to disappear. Carol's past is often approached with quick flashes and a lot of cheap exposition, so it's a breath of fresh air to have SLJ and Larson play off of each other. Nevertheless, the de-aging technology used is absolutely astounding. My fellow readers, welcome to the future of filmmaking, where any actor/actress can portray a younger version of themselves and not be visually disturbing. I completely forgot SLJ is 70-years-old! The best visual effects/CGI are the ones you don't even know they're there and Captain Marvel succeeds in delivering mind-blowing, realistic, younger versions of well-known actors.

Character-wise, Anna Boden and Ryan Fleck should have done way better. So much wasted potential in such a crucial moment in the MCU. Carol Danvers has a great backstory, but the way it was explored kind of diminishes its impact. Still, as Captain Marvel, she is indeed a badass woman! There are some cool action sequences, especially in the beginning, but as the movie slowly progresses on its story, the fight scenes got more sloppy, choppy and way too dark. Jude Law (Yon-Rogg) is amazing as he always is, and Ben Mendelsohn is brilliant as Talos. Both characters have interesting subplots that come together well, which is not something that can be said for the rest of the Marvel "villains."

Technically ... You guessed it, it's okay! Taking away the jaw-dropping de-aging CGI, the visuals seem to lack some sort of style. Looking back at Black Panther, Captain America or Guardians of the Galaxy, each movie has a visual aesthetic that belongs to their own stories. Captain Marvel doesn't really feel like it has its own style. I truly feel that with other directors, this film could have been way better. Boden and Fleck already proved that they are capable filmmakers, but maybe they were not ready to lead such a massive blockbuster. That said, the 90s score is awesome and quite adequate to the movie's period. There are a couple of moments where the VFX regarding Carol Danvers's powers are spectacular, but everything ultimately feels like this is a Phase One film, instead of the 21st MCU installment.

All in all, Captain Marvel achieves the minimum requirements: introduce the fans to a new superhero, who is going to be extremely important in the eventual defeat of Thanos. Carol Danvers is a fascinating character with an emotional backstory, but the screenplay isn't structured or explored in the most entertaining way possible. Brie Larson delivers a strong performance, pushing aside her haters, even if I feel that under other directors, she would have reached her character's full potential. Her scenes with Samuel L .Jackson are hilarious and the best part of the whole movie, as well as the groundbreaking de-aging CGI, which is absolutely mind-blowing. The action sequences needed better editing and some more choreography (this is MCU's Phase Three and 2019, so I want to be able to actually see what's happening), but the most prominent "issue" is how the story blindly obeys the superhero origin film's formula. This isn't exactly a flaw or a problem, it's just that I was expecting more. A lot more.

In the end, there's not a memorable fight scene, an emotionally overwhelming moment or even a genuinely bone-chilling, epic scene. It doesn't leave you salivating for Avengers: Endgame, but it also doesn't leave you less excited. Everything is just ... fine. And there's nothing wrong with that. But there's also nothing extraordinary.

Rating: B-


OdinsMovieBlog

Captain Marvel is a hot mess narratively and never really knows what kind of movie it wants to be. Brie Larson is constantly fighting direction and poor writing and losing the battle in the end. The last thing the MCU needs right now is a Mary Sue with no life. The one thing this movie misses more than anything else though is heart. Without a reason or purpose for existing one is left asking…other than explaining pointless MCU plot points and creating a plethora of fresh plot holes…why was this movie made and who was it made for? Kudos must be given to the make-up artists and a lot of the tech guys behind the scenes. C-


TheBigOne

I wasn't going to see this movie at all based on the stupid comments made by Brie Larson but I tagged along with some friends anyway. Let me just say it was a massive mistake. I underestimated how difficult it would be to stand looking at the lead actress misogynistic and talentless face for two hours. On top of the train wreck that was her 'performance' the whole story just felt flat and bland, I don't want to spoil the plot for those who have already bought tickets and are going to see it anyway, but let's just say that it was almost as underwhelming in story as it was in acting. DO NOT RECOMMEND!

1/10


tmdb44006625

Captain Marvel bored the living hell out of me. I'm tired of these special effects laden "event films" where every scene has to be flashy lights and fighting and explosions where nothing of real value is at stake. Not one character in this film has a personality or character arc. It's one big extended buildup to showcase how badly Captain Marvel is going to kick Thanos' ass. I like the character but I did not like what this movie does with her character. I was also shocked at how bad Brie Larson's performance was; she's an incredible actress but I feel Jennifer Lawrence put more effort into her Mystique than Larson did with Carol Danvers.

Also if your idea of female empowerment is a nasty leather jacket biker guy whistling at a girl saying "give me a kiss" and then the girl just goes and steals his bike, you have no clue what real female empowerment is.


fatso29

okay i wanted to see this despite the 'contravercy sexist pig like men have turned this into'so i went to my local theater picked a showtime and picked out some snacks the movie was decent not good not bad just the right amount of each to make it watchable for folks the action had a nice pace and the humor was just right and i think captain marvel herself is a beautiful badass and i adored the cat he was so cute and fluffy i say go see it dont over expect but go see it


kishan.verma26

I never watched a movie 2 time but captain marvel is one and only movie that i watched 2 time in my life.Amazing movie.


Myles

It has good visuals, good action, and some decent humour. This movie does what it needs to do by introducing Captain Marvel, although I was hoping Marvel would do something different and unique from their other origin story.


E.J. Cummings

Look, as an actor, it is your duty to make sure that you promote your brand to the best of your ability, it's JUST as important as the work that you do shooting the film. I don't care about the political side of the events that transpired before the release of this movie, but I hope that Hollywood learns the lesson taught by Brie Larson.


ikomrad

* I liked the CGI special effects and a few of the plot twists they threw in keep it from being too predictable. Cons: Completely neglecting the source material, appropriating the existing character and twisting them to send a message. Capt Marvell was a male super hero and they should have ran with Ms Marvel or made a new super-hero character for this film. Breaking canon - Facts established in previous MCU films were contradicted in this film, so now I don't know which film's telling of history to believe. Handling of Nick Fury's character was poorly done. I won't see him as the gritty, battle-hardened vet that he was in previous films.
Advice - Skip this film. It causes confusion by disrupting everything that came before it. It's like a reboot of the marvel universe ... or a parallel dimension. Save your money for another movie.
* Summary: Decent, but Breaks the MCU


heartsdales

Not too bad if you didn't set high expectation.
Overall is ok.
Action is nice.


JPV852

It was alright. Some entertaining scenes and the de-aging they did on Samuel L. Jackson was fantastic. Still not sure about Brie Larson in the lead but at least showed far more personality than her blank stares in Endgame. The visual effects also was fairly good, especially on Earth (vs. on Hala or w/e it was called). Worth a rental.


r96sk

Very good, it's entertaining.

I like the story that entails 'Captain Marvel'. It's possibly not told in the most incredible way, but by the end I did enjoy how it unfolded and connected to what we've seen recently in the MCU.

Brie Larson is pleasant in the lead role, a tad wooden in parts but overall I rate what she gives this film. It's cool to have Samuel L. Jackson's character get a deeper dive and bigger screen time than usual. I also liked Ben Mendelsohn as Talos. Other cast members, like Jude Law, are fine if forgettable.

Everything else about this is basically what you'd normally get from an MCU production: strong action, great effects, solid humour and an interesting plot. This 21st film from the universe is a good'un!


GenerationofSwine

Well....

....We have seen this before. The word "rehashing" has been thrown around a lot in some reviews, but really it's like a copy of a copy of a copy of a copy on a cheap circa early 80 copy machine. You've seen it before when it was a lot better.

The good news, I suppose, is that the trailers were honest, Brie Larson is honestly doing her best to imitate a block of wood and is just as animated and believable as a super hero.

And Sam Jackson, digitally younger, is still too old to do the required action scenes as evident by the enormous amount of cuts it takes to make it vaguely resemble actual action.

However, he still manages to outshine Larson in the action department.

And, of course, nothing could improve it more than a killer soundtrack. Unfortunately Captain Marvel only manages to produce a cringey soundtrack and I has always been a No Doubt fan (at least until 2000'sReturn of Saturn).

But the good news is they did reduce the transparent political posturing to a minimum (compared to what people had thought) but even then it is still far more than you'd get with better super hero moves *cough*Wonder Woman*cough*


Andre Gonzales

Ok movie where she fights aliens and humans. They could have made more sense of the story. Captain Marvel was a man back then not a woman too.


ARGMAN

Help, woke lobbyists took-over Marvel



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